‘Thug Life’ day 5 box office collection: Kamal Haasan-Mani Ratnam film continues to struggle

‘Thug Life’, starring Kamal Haasan and directed by Mani Ratnam, has paled in comparison with ‘Housefull 5’ at the box office

Posted on

Supreme Court to hear plea on threats of violence linked to the screening of Thug Life in Karnataka on June 13

The Tamil movie, which reunites the 70-year-old actor with filmmaker Mani Ratnam after 1987’s “Nayakan”, could not be released in Karnataka after Kamal Haasan’s comments about Kannada language sparked a major controversy

Posted on

Ravi Mohan’s debut film as producer titled ‘Bro Code’, co-starring SJ Suryah

The upcoming film is set to be directed by Karthik Yogi, known for helming films like ‘Dikkiloona’ and ‘Vadakkupatti Ramasamy’

Posted on

Aamir Khan interview | ‘No troll can stop a good film’

The actor speaks about his new film, ‘Sitaare Zameen Par’, the miasma of trolling and negativity that befogs his recent releases, and his hopes for the theatrical business in India

Posted on

Warner Bros. Discovery to split into two companies, dividing cable and streaming services

Warner Bros. Discovery said Monday that Streaming & Studios will include Warner Bros. Television, Warner Bros. Motion Picture Group, DC Studios, HBO, and HBO Max, as well as their film and television libraries

Posted on

‘Agni Sakshi’ director Partho Ghosh passes away at 76

A veteran of both Hindi and Bengali cinema, Partho Ghosh made several landmark, spine-chilling thrillers of the 1990s

Posted on

YRF hits pause on ‘Tiger vs Pathaan’ as spy universe shifts focus to ‘Dhoom 4’

YRF is now reportedly prioritising ‘Dhoom 4’, with Ranbir Kapoor set to headline the reboot

Posted on

Amruta Subhash recalls Naseeruddin Shah yelling at her: ‘I’d rather see you fail than repeat for applause’

The National Award-winning actor is known for her roles in ‘Killa’, ‘Vihir’, ‘Contract’, ‘Raman Raghav 2.0’, ‘Gully Boy’, and ‘Dhamaka’

Posted on

Watch | How Autobiographical Blind Spots Ruin Stories | Case Study: Sanju

Using Sanju as a case study, we explore how proximity, nostalgia, and guilt can distort a filmmaker’s perspective, softening the truth and sabotaging the story

Posted on