‘Mask’ movie review: Kavin, Andrea anchor a sleek but self-conscious effort

The many streaks of ingenuity that keep this dark crime-comedy afloat make you wish for a more confident film from debutant Vikarnan Ashok

IFFI 2025: ‘No Other Choice’ movie review: Park Chan-wook’s brilliant auto-parasitic critique of capitalism

In Park Chan-wook’s masterful hands, the gleam of suburbia becomes a trapdoor into ego, desperation, and the bureaucratic humiliations that grind capitalism’s most loyal accomplice into perfect instruments of their own ruin

Ilaiyaraaja moves Madras High Court to protect his personality rights

Justice N. Senthilkumar injuncts TV channels, YouTube channels, social media influencers & others from using his name, title, and photos for commercial gain

IFFI 2025: Director Gabriel Mascuro on ‘The Blue Trail’ and how Goa influenced his Brazilian festival opener

As IFFI 2025 kicks off, the Brazilian filmmaker talks about how his dystopian drama was sharpened by real political scars and a creative spark influenced by the river-front pulse in Goa

‘Do Deewane Seher Mein’: Siddhant Chaturvedi and Mrunal Thakur to star in Bhansali-backed romance drama

The film is directed by Ravi Udyawar, who last collaborated with Siddhanth in the 2024 actioner ‘Yudhra’

‘Eko’ movie review: A solid mystery thriller in which animals play as big a part as humans

Dinjith Ayyathan’s ‘Eko’ dives into a world where animals and humans are more connected than you would think, and ends up as a solid mystery thriller thanks to its brilliant screenplay

Watch: ‘The Family Man’: writer Suman Kumar on season 3’s ending, the writer’s room with Raj-DK, and more

The Family Man writer–director Suman Kumar joins Sudhish Kamath for a brutally honest breakdown of Season 3 — the writing, the nerves, the cliffhanger, and whether Season 4 is secretly on the cards.

‘Kalamkaval’: Mammootty’s film postponed, new release date to be announced soon

The Malayalam film, directed by Jithin Jose K, was earlier set to be released on November 27

‘12A Railway Colony’ movie review: Allari Naresh’s film has a decent premise, marred by erratic execution

Nani Kasaragadda’s directorial debut tries to be a genre bender, but the storytelling is all over the place

IFFI 2025: Sivakarthikeyan and Sai Pallavi’s ‘Amaran’ to be the opening film in Indian Panorama section

‘Amaran’ has also been nominated for the Golden Peacock Award under the International Competition category