Entertainment

Jena Pandya and Ashley Day to lead Aditya Chopra’s ‘Come Fall in Love – The DDLJ Musical’

The DDLJ Musical at Manchester Opera House, directed by Aditya Chopra, features Jena Pandya and Ashley Day

Delving into the world of chiaroscuro through art and cinema

From the Renaissance to the Citizen Kane, let’s take a peep into the intricacies of the chiaroscuro technique in paintings and cinematography!

‘Captain America: Brave New World’ movie review: Harrison Ford thunders to the rescue

With cheesy effects, a dour demeanour and a blow-your-socks-off climactic fight, this fourth installment in the Captain America film series is saved from somnolence by Harrison Ford’s twinkly-eyed red giant 

‘Sidlingu 2’ movie review: A bland, befuddling sequel

Starring Yogi, Vijaya Prasad’s attempt at a clean comedy with an inspiring message is a boring affair

‘Kaadhal Enbadhu Podhu Udamai’ movie review: Admirable queer drama rises above its flaws

Jayaprakash Radhakrishnan’s film turns didactic in places, but the film takes a necessary step, if not a giant leap, in an industry where queer themes remain largely nascent

‘Baby and Baby’ movie review: Jai’s film is high on errors, low on comedy

Despite Jai as the star, it’s Yogi Babu who tries to pull off the balancing act in this film where its attempts at humour are unintentionally funnier than the jokes themselves

‘Kiss’ teaser: Kavin stars as a youth against love, romance and Valentine’s Day

Starring Preethi Asrani as the female lead, the film is written and directed by choreographer Sathish Krishnan in his directorial debut

‘Mughal-e-Azam’s genesis is in theatre’: Feroz Abbas Khan on the grand spectacle’s return to Delhi

As Mughal-e-Azam returns to charm the Capital for one last time, director Feroz Abbas Khan lays bare the emotional and aesthetic nuts and bolts of the grand spectacle

‘Chhaava’ movie review: Vicky Kaushal, Akshaye Khanna jostle for attention in this uneven sketch of a Maratha legend

Struggling to choose between history and the current nationalist sentiment, Laxman Utekar’s unsurprising narrative finds its voice in the final act